‘Flat film: strategies of depthlessness in Pleasantville and La Haine’ | Film-Philosophy 22:2 (2018), pp. 168-183

'The surfaces of film-philosophy' | Co-authored with Catherine Constable and Matt Denny. Film-Philosophy 22: 2 (2018), pp. 143-147

‘Soft upper lip: Coach’s facial expressions in Friday Night Lights’ | Television Performance. Edited by Lucy Fife and James Walters. Springer Nature, 2018, pp. 225-239.

‘Emma Thompson in Remains of The Day' | Close-Up: Great Screen Performances Volume 2: International. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 228-237

‘Al Pacino in Donnie Brasco’ | Close-Up: Great Screen Performances Volume 1: America. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 234-242

'Parafiction, autofiction, perfiction' | Co-authored with Robin van den Akker. Para/Fictions. Edited by Natasha Hoare. Witte de With Publishers, 2018, pp. 19-29

‘The Altergorithm’ | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018, pp. 29-32.

REPRINTS:

Frieze online (April, 2016)

‘Ecopathy’ | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018., pp. 125-129

‘Ekopatia: výlet na pláž’ | Slovakian Transl. Magdaléna Kobzová. 3/4 2020

‘Metamodernism' | The Posthuman Glossary. Edited by Rosi Braidotti and Maria Hlavajova. Bloomsbury, 2018, pp. 256-259.

‘Parafiction’ | AU: Oscar Santillan. Edited by Chiara Ianeselli. Mazzoli Editions, 2018, pp.

‘Face to face’ | Peter Ewig - Plongée. Edited by Peter Ewig. Onomato, Dusseldorf, 2018, pp.

‘Looking back 2018 – the year in tv’ |Frieze Online (2018).

‘Jill Mulleady | Frieze 197 (Sept 2018), p.

‘Eva Lewitt’ | Frieze 194 (April 2018), p.