Subtle Time: Gesture on Screen | In preparation for SUNY, 2024

‘Genre Pastiche and Community’ | Co-authored with Kim Wilkins. Screen 65: 1 (Spring 2024), pp. 160-168.

‘Metamodern Pastiche?’ | Co-authored with Kim Wilkins. Screen 65: 1 (Spring 2024), pp. 116-120.

‘From the Everyday to the Epic and Back: foreground and background in Community’ | Moments in Television: Epic/Everyday. Edited by Jonathan Bignell, Sarah Cardwell and Lucy Fife. Manchester University Press, 2023, pp. 95-115.

Refocus: The films of Richard Linklater | Edited with Kim Wilkins. EUP, 2022

‘Richard Linklater and the Field of American Dreams’ | ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 85-100.

‘Introduction: Linklater’s Itinerant Oeuvre’ | Co-Authored with Kim Wilkins. ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 1-14

‘The do-er and the done-to: the politics of enthusiastic awkwardness’ | Ridiculously Yours: Art, Awkwardness and Enthusiasm. Edited by Jorg Heiser and Cristina Ricupero. Distanz, 2022, pp. 42-57

‘"Guess Who Doesn't Belong Here?": The Interracial Couple in Suburban Cinema’ | Race and the Suburbs in American Film. Edited by Merrill Schleier. State University New York Press, 2021, pp. 123-142.

‘Romantisker komedier, en selvmotsigende sjanger’ | Zett 155 (2021),pp. 58-70.

‘Når verden går under på film’ | Zett 151 (2020), pp. 43-47.

‘Neoliberalism and class tourism in The Darjeeling Limited’ | New Review of Film and Television 17:3 (Spring 2019), pp. 331-48.

‘The English Channel': Brexit and True-Crime’ | Frieze 207 (2019), pp

‘Flat film: strategies of depthlessness in Pleasantville and La Haine’ | Film-Philosophy 22:2 (2018), pp. 168-183

'The surfaces of film-philosophy' | Co-authored with Catherine Constable and Matt Denny. Film-Philosophy 22: 2 (2018), pp. 143-147

‘Soft upper lip: Coach’s facial expressions in Friday Night Lights’ | Television Performance. Edited by Lucy Fife and James Walters. Springer Nature, 2018, pp. 225-239.

‘Emma Thompson in Remains of The Day' | Close-Up: Great Screen Performances Volume 2: International. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 228-237

‘Al Pacino in Donnie Brasco’ | Close-Up: Great Screen Performances Volume 1: America. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 234-242

‘Looking back 2018 – the year in tv’ |Frieze Online (2018).

‘Postmodernism’ | The International Encyclopedia of Communication Theory and Philosophy. Edited by Eric Rothenbuhler. Wiley-Blackwell, 2016, pp.