Plastic Time: Gesture on Screen | In preparation for SUNY, 2024

‘Genre Pastiche and Community’ | Co-authored with Kim Wilkins. Screen 65: 1 (Spring 2024), pp. 160-168.

‘Metamodern Pastiche?’ | Co-authored with Kim Wilkins. Screen 65: 1 (Spring 2024), pp. 116-120.

‘From the Everyday to the Epic and Back: foreground and background in Community’ | Moments in Television: Epic/Everyday. Edited by Jonathan Bignell, Sarah Cardwell and Lucy Fife. Manchester University Press, 2023, pp. 95-115.

‘Wallace after postmodernism: metamodernism, tone, and tennis’ | English Literature: Theories, Interpretations, Contexts 8: 1 (2022), pp. 105-124

Refocus: The films of Richard Linklater | Edited with Kim Wilkins. EUP, 2022

‘Richard Linklater and the Field of American Dreams’ | ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 85-100.

‘Introduction: Linklater’s Itinerant Oeuvre’ | Co-Authored with Kim Wilkins. ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 1-14

‘The do-er and the done-to: the politics of enthusiastic awkwardness’ | Ridiculously Yours: Art, Awkwardness and Enthusiasm. Edited by Jorg Heiser and Cristina Ricupero. Distanz, 2022, pp. 42-57

‘"Guess Who Doesn't Belong Here?": The Interracial Couple in Suburban Cinema’ | Race and the Suburbs in American Film. Edited by Merrill Schleier. State University New York Press, 2021, pp. 123-142.

‘Reality beckons: metamodernism and depthiness’ | Co-authored with Alison Gibbons and Robin van den Akker. European Journal of English Studies 23:2 (2019), pp. 172-189.

REPRINTS:

Fact and Fiction in Contemporary Narratives. Edited by Jan Alber and Alice Bell. Routledge, 2021, pp. 52-69.

‘Neoliberalism and class tourism in The Darjeeling Limited’ | New Review of Film and Television 17:3 (Spring 2019), pp. 331-48.

‘Nike Air Pocket: fashionable ecology’ | APRIA Journal 1: 1 (2019), pp. 47-59.

‘Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study of Contemporary Autofiction’ | Co-authored with Robin van den Akker and Alison Gibbons. New Directions in Philosophy and Literature. Edinburgh University Press, 2019, pp. 41-54

‘Motor Skills’ | Co-authored with Robin van den Akker. Éric van Hove: Fenduq. Edited by Eelco van der Lingen. Jap Sam Books, 2019, pp. 141-151.

‘Flat film: strategies of depthlessness in Pleasantville and La Haine’ | Film-Philosophy 22:2 (2018), pp. 168-183

'The surfaces of film-philosophy' | Co-authored with Catherine Constable and Matt Denny. Film-Philosophy 22: 2 (2018), pp. 143-147

‘Soft upper lip: Coach’s facial expressions in Friday Night Lights’ | Television Performance. Edited by Lucy Fife and James Walters. Springer Nature, 2018, pp. 225-239.

‘Emma Thompson in Remains of The Day' | Close-Up: Great Screen Performances Volume 2: International. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 228-237

‘Al Pacino in Donnie Brasco’ | Close-Up: Great Screen Performances Volume 1: America. Edited by Murray Pomerance and Kyle Stevens. EUP, 2018, pp. 234-242