‘Outside in, or: forms looking for feelings’ | Grit Richter - The Big Easy. Edited by Grit Richter. Wald und Wiese Verlag, Hamburg, 2017, pp. 12-17
‘Retracing our steps’ | Esther Kläs Linda Matalon. Edited by Moritz Wilborn & Iris Kadel. Kadel Wilborn Galerie, Dusseldorf, 2017, 1 p.
‘Susan Philipsz’ | Frieze 186 (April 2017), p.
‘In hotel lobbies - the jungle!’ | Matthias Bitzer - Magically, mystically charged picture cosmos. Edited by Augusta Joyce. Distanz, 2016, pp. 31-33.
‘Large Rohrsach Test’ | Keith Tyson: Large Field Array. Edited by in E. Neilson. Zabludowicz Art Projects, 2016, pp. 58-59.
‘Ypres Wild Berries: on the photography of Eugene von Gundlach’ | Diango Hernandez: Theoretical Beach. Distanz Berlin, 2016. Edited by Stefanie Kreuzer, pp. 50-59
‘The altergorithm’ | Frieze online (April, 2016)
‘Toil and Trouble’ | TANK Magazine 8:7 (2016), pp. 118-122
'Ironie en post-ironie' | Metropolis M vol. 2016, iss. 3 (2016), p 93.
‘The New Depthiness’ | E-Flux Journal 61 (2015)
TRANSLATIONS:
新“感深性” |《黑齿》杂志/Heichi Magazine (Dec. 2020). Chinese transl. Xiaoxuan Song.
‘Snap!’ | Zabludowicz Collection: 20 Years. Edited by Elizabeth Neilson & Paul Luckraft. Zabludowicz Art Projects, 2015, pp. 84-88,
‘Come closer’ | Sebastian Freytag: Werkstein. Edited by Sandra Dichtl. Verlag für Moderne Kunst, 2015, pp. 33-40.
‘Space is the place’ | Frieze 171 (2015), pp. 200-203.
‘Sascha Weidner’ | Frieze 169 (March 2015), p. 172
‘Spiritual Discovery’ | Diango Hernandez: Socialist Nature. Edited by Gerhard Obermuller. Distanz Verlag, Berlin, 2014, pp. 12-16.
‘Oscar Santillan’ | Frieze 167 (November-December 2014), pp. 120-121
‘Art Criticism and Metamodernism’ | Co-authored with Robin van den Akker. Art Pulse 19.3 (2014), pp. 22-27.
TRANSLATIONS:
‘메타모더니즘과 예술 ‘ Korean trans. by Mihye Yim. Public Art┃퍼블릭아트 197, pp. 31-35.
Monika Stricker: Something else, all the same | Frieze D/E 13 (March 2014), pp. 104-105
‘Özlem Günyol & Mustafa Kunt’ | Frieze D/E 16 (September-November 2014), pp. 149-150.
‘Looking Awry: on Sturtevant’ | Art Blog Cologne (June 2014).