Subtle Time: Gesture on Screen | In preparation for SUNY, 2024

‘Genre Pastiche and Community’ | Co-authored with Kim Wilkins. Screen 65: 1 (Spring 2024), pp. 160-168.

‘Metamodern Pastiche?’ | Co-authored with Kim Wilkins. Screen 65: 1 (Spring 2024), pp. 116-120.

‘From the Everyday to the Epic and Back: foreground and background in Community’ | Moments in Television: Epic/Everyday. Edited by Jonathan Bignell, Sarah Cardwell and Lucy Fife. Manchester University Press, 2023, pp. 95-115.

‘Rob Kulisek’ | Frieze (April 2023), p.

‘Wallace after postmodernism: metamodernism, tone, and tennis’ | English Literature: Theories, Interpretations, Contexts 8: 1 (2022), pp. 105-124

‘Richard Linklater and the Field of American Dreams’ | ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 85-100.

‘Introduction: Linklater’s Itinerant Oeuvre’ | Co-Authored with Kim Wilkins. ReFocus: The Films of Richard Linklater. Edited by Kim Wilkins and Timotheus Vermeulen. EUP, 2022, pp. 1-14

‘What’s behind the reterritorialization of Oslo’s cultural sphere’ | Frieze online (June 2022)

‘The do-er and the done-to: the politics of enthusiastic awkwardness’ | Ridiculously Yours: Art, Awkwardness and Enthusiasm. Edited by Jorg Heiser and Cristina Ricupero. Distanz, 2022, pp. 42-57

‘Sandra Mujinga’ | Artforum (March 2022)

‘"Guess Who Doesn't Belong Here?": The Interracial Couple in Suburban Cinema’ | Race and the Suburbs in American Film. Edited by Merrill Schleier. State University New York Press, 2021, pp. 123-142.

‘When Attitudes Become Drink’ | Geist: Korpys/Löffler/Schmal. Edited by Fanny Gonella and Nadja Quante. Nomen Nominandum Buch, 2021, pp. 95-104

‘Zoombies of the Zoomspace: A World of Flattened Flats’ | Co-authored with Jimenez Lai. Pool 6 (Spring 2021), pp. 58-60.

‘Romantisker komedier, en selvmotsigende sjanger’ | Zett 155 (2021),pp. 58-70.

‘Sissel Tolaas’ | Frieze (Dec. 2021), p.

‘Ben Rivers’ | Artforum (Dec. 2021)

‘Andreas Angelidakis’ | Frieze 219 (June 2021), p.

‘Skin Deep’ | Vivian Greven: Apple. Edited by Amely Deiss and Helga Krutzler. Kunstpalais, 2020, pp.

‘This book is a ghost story’ | Drawing Literature. Edited by Ane Mette Hol. Hatje Cantz, 2020, pp. 9-11.

‘Når verden går under på film’ | Zett 151 (2020), pp. 43-47.

‘Reality beckons: metamodernism and depthiness’ | Co-authored with Alison Gibbons and Robin van den Akker. European Journal of English Studies 23:2 (2019), pp. 172-189.

REPRINTS:

Fact and Fiction in Contemporary Narratives. Edited by Jan Alber and Alice Bell. Routledge, 2021, pp. 52-69.

‘Neoliberalism and class tourism in The Darjeeling Limited’ | New Review of Film and Television 17:3 (Spring 2019), pp. 331-48.

‘Nike Air Pocket: fashionable ecology’ | APRIA Journal 1: 1 (2019), pp. 47-59.

‘Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study of Contemporary Autofiction’ | Co-authored with Robin van den Akker and Alison Gibbons. New Directions in Philosophy and Literature. Edinburgh University Press, 2019, pp. 41-54

‘Ideally’ | Laure Prouvost: Legsicon. Edited by Nav Huq. Bookworks, London (2019), p. 123.

‘Motor Skills’ | Co-authored with Robin van den Akker. Éric van Hove: Fenduq. Edited by Eelco van der Lingen. Jap Sam Books, 2019, pp. 141-151.

‘The English Channel': Brexit and True-Crime’ | Frieze 207 (2019), pp

‘Nightly Vertigo’ | Parole (2019)