Plastic Time radically rethinks how we experience time in screen media—not through plot or montage but through performance. The book explores how actors shape time through the movements and manipulations of their bodies: a quick glance, a recurrent shrug, an awkward embrace. Drawing on examples ranging from Duck Soup to This Is America and from Gilmore Girls to Donnie Brasco, it shows how bodily gestures and facial expressions sculpt history and contemporaneity, age, rhythm, and tense. Combining media theory, philosophy, and performance studies, Plastic Time argues that performance doesn't merely represent time—it actively figures it, stretching here and contracting there, now folding together, then tearing apart. Time in film, TV, and video is not fixed but elastic, not given but constantly made and remade, molded anew; it is as plastic as the actors' bodies that enact it.
Forthcoming 2026. Pre-order from SUNY here.